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Art Meripol's avatar

We all buy gear based on what we think we need whether to solve a problem or improve our work. And that's how we discover what works for the way we shoot. I'm sure it's because of what I shoot that I absolutely love my RRS L plates on my cameras. I often shoot 'hospitality' for a group of hotels. Tripod a must for the hard-working room shots or food shots and no tripod for the lifestyle shots. And for the same reasons I love my R5. Shooting overhead plate shots that adjusting rear screen is wonderful. Same with shooting low angles. And too I cannot imagine working with plug-in lights. I'm often shooting where power isn't available. I depend on my battery Elinchrom's. As for 'bad' I don't have much but there are a few light modifiers that I wanted to try but just didn't work well for me and sit on a shelf. As for wide lenses I shot travel for years and my 16-35 was a have to have lens. But I rarely went close to 16mm. It sits in my bag mostly unused these days. My 'normal' lens seems to be my R 70-200. The rest of my glass is Canon E glass that adapts fine to the R body. One lens I really thought I needed was the Tilt Shift 17mm. I find that the 24 Tilt Shift works so much better and if I need wider I can just stitch but the image retains a better sense of scale. Lately I've been cleaning out and getting rid of old or underused gear. It feels good to lighten the pile on the shelves.

Kalle Kula's avatar

Great and fun reading. There is no thing as a perfect camera or gear, if it was there would be just one camera. My list would be very different.

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